SATURDAY'S DISORDERS (Sábados desordenados)
SATURDAYS DISORDERS (Sábados desordenados)
dir. Lucía Seles, 2022
Argentina. 97 min.
In Spanish with English subtitles
WEDNESDAY, OCTOBER 2 – 10PM
TUESDAY, OCTOBER 15 – 10PM
SUNDAY, OCTOBER 20 – 7:30PM
TUESDAY, OCTOBER 29 – 7:30PM
“Saturdays Disorders is a non-professional tennis final linked to a not-so-famous way of the cross, apart from the fact that loneliness is undoubtedly the virgin, the mother and the most beautiful sister of all plans every day of the week.”
– Lucía Seles’ synopsis
Taking a bizarre left-turn from Smog in Your Heart’s labyrinthine romantic entanglements, Saturdays Disorders plays like an extended riff on a late scene conversation in that prior film with Lujan traveling to the town of Lujan to undertake a pilgrimage of the lesser stations of the cross. A seemingly endless Kafkaesque journey through the suburbs of Lujan ensues while the tennis complex holds a tennis competition with only two entreats, Selena Prat (Seles herself, but credited as Selena Prat) and a friend of La Tenista’s father. Injuries, misunderstandings, fairground rides, puffy jackets, on-screen poetry, barking dogs, and some oddly achieved notes of comic futility ensue.
SATURDAYS DISORDERS (Sábados desordenados)
dir. Lucía Seles, 2022
Argentina. 97 min.
In Spanish with English subtitles
WEDNESDAY, OCTOBER 2 – 10PM
TUESDAY, OCTOBER 15 – 10PM
SUNDAY, OCTOBER 20 – 7:30PM
TUESDAY, OCTOBER 29 – 7:30PM
“Saturdays Disorders is a non-professional tennis final linked to a not-so-famous way of the cross, apart from the fact that loneliness is undoubtedly the virgin, the mother and the most beautiful sister of all plans every day of the week.”
– Lucía Seles’ synopsis
Taking a bizarre left-turn from Smog in Your Heart’s labyrinthine romantic entanglements, Saturdays Disorders plays like an extended riff on a late scene conversation in that prior film with Lujan traveling to the town of Lujan to undertake a pilgrimage of the lesser stations of the cross. A seemingly endless Kafkaesque journey through the suburbs of Lujan ensues while the tennis complex holds a tennis competition with only two entreats, Selena Prat (Seles herself, but credited as Selena Prat) and a friend of La Tenista’s father. Injuries, misunderstandings, fairground rides, puffy jackets, on-screen poetry, barking dogs, and some oddly achieved notes of comic futility ensue.